From news services:
Jovanka Bach, a Southern California playwright and physician whose
stream of dramas included a trilogy spanning a half-century of turmoil
in her family's ancestral homeland of Montenegro, has died in an Ojai nursing center of complications from
ovarian cancer at the age of 69.
Bach emerged as a playwright in 1974, when her first script, "The
Matter of the Heart," about heart surgeons, was a semifinalist for a
slot at the prestigious National Playwrights Conference, an annual
new-play workshop held at the Eugene O'Neill Theater Center in
Waterford, Conn.
According to John Stark, her husband of 28 years, one of Bach's
proudest moments came last spring when she attended the New York city
premiere of "Name Day," the first play in her "Balkan Trilogy" about
the impact of ethnic strife in the former Yugoslavia from World War II
until the outbreak of the civil war that broke up the nation in the
1990s.
"She managed to struggle onto the plane, and she was so happy to see
that play done," Stark, an actor and director who often served as
Bach's producer, told the Los Angeles Times on Friday. "She struggled
so hard to write while she was dying, and she was doing small rewrites
even as they were staging it."
Bach completed the trilogy with "A Thousand Souls" (1999), about a
Serbian father and his American-born son traveling in the old country
in 1991 on the eve of its disastrous civil war, and "Marko the Prince"
(2001).
Stark said that Bach wrote about 15 plays in all, as well as
unpublished novels. Her dramas sometimes focused on playwrights of the
past: "Mercy Warren's Tea" (1977) is about America's first female
playwright; "O'Neill's Ghosts" (2002) imagined a sequel to "Long Day's
Journey into Night"; and in "Chekhov and Maria" (1988), she dramatized
the great Russian playwright-physician struggling against declining
health while trying to finish "The Three Sisters."